Accessed 4th
September 2013
Cliteracy 101: Artist Sophia Wallace Wants You To Know The Truth About The Clitoris
Posted: 08/29/2013 12:42 pm
EDT | Updated: 08/31/2013 10:53 am EDT
"It's appalling and shocking to think that scientifically,
the clitoris was only discovered in 1998," Wallace told The Huffington
Post from her Brooklyn studio last week.
"But really, it may as well have never been discovered at all because
there's still such ignorance when it comes to the female body."
The clitoris, described as the only human body part that exists
solely for pleasure, is not merely a little "button" hidden between a
woman's legs, but rather a large, mostly internal organ many people don't know
about, Wallace explains.
According to a 2011 post by
Museum of Sex blogger Ms. M, the internal clitoris (highlighted in
yellow in the images above) is a complex erectile structure consisting of two
corpora cavernosa (that are said to wrap around the vagina when erect), two
crura (erectile bodies that branch out from the clitoral body), clitoral
vestibules or bulbs, and the clitoral glans (the part that you can see).
In 1998, Australian urologist Helen O’Connell published a paper
in the Journal of Urology describing the sheer scope and size of
the clitoris. She wrote that the unerect clitoris, most of which is
subterranean, could be up to 9 centimeters long -- longer, as some have described it,
than an unerect penis.
As Robert King, professor at Ireland
Wallace, citing anecdotal evidence, says ignorance still seems
to be ever-pervasive in modern society.
"It is a curious dilemma to observe the paradox that on the
one hand the female body is the primary metaphor for sexuality, its use
saturates advertising, art and the mainstream erotic imaginary. Yet, the
clitoris, the true female sexual organ, is virtually invisible," Wallace
told Creem magazine earlier this year.
"Even in porn, the clitoris is treated as this optional,
kind of freaky, 'wow he's doing her this huge favor' thing," she told
HuffPost, adding that women often feel "embarrassed" to ask their
partners to pleasure them. "It's insane to me that this is still happening
in 2013."
Last year, during her tenure in the Art & Law Residency,
Wallace started work on a multi-media project that she hoped would serve to
challenge these misconceptions and to lift the veil on this enduring ignorance
about the female body.
Aptly entitled "Cliteracy," the project, which is ongoing, includes
Wallace's "100 Laws of Cliteracy," street art about the organ, as
well as a "clit rodeo" that involves an interactive installment of a
giant golden clitoris.
Scroll down to learn more about Wallace's project:
What is "Cliteracy"?
"I wanted to talk about female genitals in a way that I
felt wasn't really being talked about," Wallace said. "For me, this
word 'cliteracy' perfectly breaks down the idea of the project. It's this
pithy, wonderful little word that encapsulates so much so quickly and so
simply. It illuminates this idea of total illiteracy and incompetence when it
comes to the female body."
The "100 Natural Laws of Cliteracy"
Spanning 10 feet by 13 feet, with a 6-foot neon
"Cliteracy" sign suspended from the ceiling, Wallace's "100
Natural Laws" installation is, as she describes it, "monumental in
scope and scale."
"I wanted to create something so big that it would make
everyone, including a football player or basketball player, feel small next to
it," she said. "You can't just glance at it and expect to have gotten
it. You have to spend time with it and think about it."
Using scientific data, historical information, as well as
references to architecture, porn, pop culture and human rights, the "100
Laws" have been a way for Wallace to lay out her "case for the
clit," she says.
"I chose to use the language of Natural Law because its
authority precedes the mandate of states, countries and religious bodies.
Natural laws are inalienable. In much of the world women do not hold dominion
over their own bodies, and even in this country, women are too often
acquiescing to sex acts that do not give them pleasure," she told Creem.
One of the most fascinating of Wallace's "100 Laws"
references the story of a French doctor named Pierre Foldes who, thanks to recent research into
the anatomy of the clitoris, came up with a method of repairing the damage caused
by female genital mutilation. By removing scar tissue from the vulva and
lowering -- and revealing -- a portion of the internal clitoris, he has been
able to restore pleasure to thousands of women who have been circumcised.
Until recently, Foldes is believed to have been the only doctor
in the world who was carrying out this particular surgery. More doctors have
since adopted his methods.
“When I returned to France
to treat genital mutilation, I was amazed that they were never tried,"
Foldes said, according to a 2011 Museum of Sex blog
post on the internal clitoris. "The medical literature tells us
the truth about our contempt for women. For three centuries, there are thousands
of references to penile surgery, nothing on the clitoris, except for some
cancers or dermatology -- and nothing to restore its sensitivity. The very
existence of an organ of pleasure is denied, medically."
Street art
To get people talking about the clitoris, Wallace has been
taking to the streets of New York City
"This is an advertising campaign for the clitoris,"
she said of the unauthorized street art installations. "After all, who
needs an ad campaign more than the clit?"
"This work has never meant to be behind the white walls of
a gallery. It's really about cliteracy becoming a meme and creating new
language for bodies and sexuality," Wallace said, adding that she wants to
soon take her street art project global.
"Clit Rodeo"
With the help of sculptor Kenneth Thomas, Wallace created an
anatomically accurate -- and rideable -- golden clitoris that debuted at the
Wassaic Project Summer Festival in New
York
"[It was] an invitation for audiences to experience a space
free from traditional shame, taboo and silence usually cloaking conversations
around sexuality, particularly female genitals," said Wallace, who intends
on bringing the "Clit Rodeo" to other parts of the U.S.
"People couldn't stop looking at [the clitoris], touching
it riding it, being around it," she added. "It just had this aura
about it. It wasn't just women on the clit, it wasn't just the men, everyone
was engaged."
Cliteracy gear
"If you see a man walking around with a 'solid gold clit'
shirt, it creates this social experiment -- what does it mean to have a 'clit'
on your shirt? It's just interesting to see these words out in the world and to
see how they operate and how people respond," Wallace said of her line of
clothing featuring cliteracy slogans.
"It's cool to see how much dialogue can be opened up.
Ultimately that's what the goal is -- to open up a conversation," she
added.
Wallace says that her cliteracy project has gone viral since its launch, triggering a great public response both at physical exhibitions, as well as online on social media platforms like Tumblr.
"It's been a showstopper wherever its been shown. People
are hungry to be able to talk about this," she said. "I'm thrilled
that it's gone viral and I hope it'll continue to be shared. I absolutely want
people to talk about it -- and really, the effect is only beginning."
Cliteracy, says Wallace, is really something that everyone
should care about.
Though the project may seem limited to the discussion about
women's bodies and female sexuality, Wallace insists that it's really much,
much bigger than that.
Not only is the project for everyone ("I love seeing men
standing up for the clit," Wallace says, adding that this is a
conversation that liberates people of all genders), but she says that the
clitoris can be seen as a "metaphor for freedom, body sovereignty and
citizenship."
"Cliteracy is about not having one's body controlled or
legislated," she said. "Not having access to the pleasure that is
your birthright is a deeply political act."
"To me, this has always been about a bigger conversation.
It's about breaking down walls."
